{"id":167,"date":"2011-08-03T17:34:14","date_gmt":"2011-08-03T15:34:14","guid":{"rendered":"http:\/\/www.boschsimons.com\/blog\/?page_id=167"},"modified":"2024-03-02T01:32:46","modified_gmt":"2024-03-02T00:32:46","slug":"aguas-vivas","status":"publish","type":"page","link":"https:\/\/www.boschsimons.com\/nl\/aguas-vivas\/","title":{"rendered":"Aguas Vivas (1996 \/ 2001-2007)"},"content":{"rendered":"<p>Ook Aguas Vivas heeft als startpunt trillingen, maar is, althans in mechanisch opzicht, eenvoudiger dan ooit. E\u00e9n stalen bak, gevuld met afgewerkte olie, \u00e9\u00e9n trilmotor, acht spiraalveren. In eerste instantie lag het accent in tegenstelling tot de voorgaande trilprojecten echter niet op geluid maar op beeld. In plaats van een niet-lineair systeem algoritmisch te genereren besloten wij het \u201cecht\u201d te bouwen. De olie wordt in trilling gebracht en het oppervlak begint te golven in continue verandering. Een in dit oppervlak weerspiegelende lichtbron wordt steeds anders weerkaatst. Deze beelden worden opgevangen door een videocamera en geprojecteerd op een muur. Ze zijn zeer energiek, nooit constant en zeer hypnotisch, vari\u00ebrend van allerlei mogelijke ordelijke patronen tot chaotische flarden. Het enige hoorbare geluid dat door de constructie wordt geproduceerd is van mechanische aard; de klotsende olie en geluiden  afkomstig van de trilmotor en de spiraalveren.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"video-wrap\"><iframe title=\"Aguas Vivas, Bosch &amp; Simons, 2001-2005\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/qJ3M1UWTYv8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n\n<p>&nbsp;<\/p>\n<p>Het eerste prototype werd getoond op TARt\u00b496, Universiteit Twente, Enschede, in 1996 en het project is sindsdien diverse keren verbeterd en uitgebreid. Op de tentoonstelling Midivisi (2001) in Z33, Hasselt, Belgi\u00eb, voegden wij voor het eerst elektronisch bewerkt, versterkt geluid toe aan het concept. De bak, de lichtbron (een wit neon kruis), de camera en twee microfoons stonden in \u00e9\u00e9n ruimte. In een aangrenzende ruimte werden samen met het videobeeld de versterkte, bewerkte geluiden, afkomstig van de bewegende bak, geprojecteerd, alles geproduceerd in \u201creal-time\u201d. <\/p>\n<p>&nbsp;<\/p>\n<div class=\"quick-gallery\"><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/2-Aguas-Vivas-Melbourne-w.jpg\" rel=\"lightbox[group-2]\" title=\"&quot;White Noise&quot;, ACMI, Melbourne, Australia, 2005\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/2-Aguas-Vivas-Melbourne-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">\"White Noise\", ACMI, Melbourne, Australia, 2005<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/1-aguas-still-ali2003-w.jpg\" rel=\"lightbox[group-2]\" title=\"&quot;Del mono azul al cuello blanco&quot;, Lonja del Pescado, Alicante, Spain, 2003\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/1-aguas-still-ali2003-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">\"Del mono azul al cuello blanco\", Lonja del Pescado, Alicante, Spain, 2003<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/4-Aguas-ACMI-2005-w.jpg\" rel=\"lightbox[group-2]\" title=\"&quot;White Noise&quot;, ACMI, Melbourne, Australia, 2005\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/4-Aguas-ACMI-2005-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">\"White Noise\", ACMI, Melbourne, Australia, 2005<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/3-Aguas-ACMI-2005-w.jpg\" rel=\"lightbox[group-2]\" title=\"&quot;White Noise&quot;, ACMI, Melbourne, Australia, 2005\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/3-Aguas-ACMI-2005-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">\"White Noise\", ACMI, Melbourne, Australia, 2005<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/5-Aguas-Vivas-ISEA2002-w1.jpg\" rel=\"lightbox[group-2]\" title=\"ISEA 2002, ArtPort, Nagoya, Japan, 2002\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/5-Aguas-Vivas-ISEA2002-w1-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">ISEA 2002, ArtPort, Nagoya, Japan, 2002<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/6-Aguas-Tenerife-2007-w.jpg\" rel=\"lightbox[group-2]\" title=\"El Medio es la Comunicaci\u00f3n, Espacio El Tanque, Sta Cruz de Tenerife, Spain, 2007\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/6-Aguas-Tenerife-2007-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">El Medio es la Comunicaci\u00f3n, Espacio El Tanque, Sta Cruz de Tenerife, Spain, 2007<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/7-Aguas-still-Alicante-w.jpg\" rel=\"lightbox[group-2]\" title=\"&quot;Del mono azul al cuello blanco&quot;, Lonja del Pescado, Alicante, Spain, 2003\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/7-Aguas-still-Alicante-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">\"Del mono azul al cuello blanco\", Lonja del Pescado, Alicante, Spain, 2003<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/9-Aguas-still-ACMI2005-w.jpg\" rel=\"lightbox[group-2]\" title=\"&quot;White Noise&quot;, ACMI, Melbourne, Australia, 2005\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/9-Aguas-still-ACMI2005-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">\"White Noise\", ACMI, Melbourne, Australia, 2005<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/8-aguas-Alicante-w.jpg\" rel=\"lightbox[group-2]\" title=\"&quot;Del mono azul al cuello blanco&quot;, Lonja del Pescado, Alicante, Spain, 2003\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/8-aguas-Alicante-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">\"Del mono azul al cuello blanco\", Lonja del Pescado, Alicante, Spain, 2003<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/10-Aguas-still-Melbourne2005-w.jpg\" rel=\"lightbox[group-2]\" title=\"&quot;White Noise&quot;, ACMI, Melbourne, Australia, 2005\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/10-Aguas-still-Melbourne2005-w-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">\"White Noise\", ACMI, Melbourne, Australia, 2005<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/052.jpg\" rel=\"lightbox[group-2]\" title=\"Midivisi, PCBK Begijnhof, Hasselt, Belgium, 2001\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/052-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">Midivisi, PCBK Begijnhof, Hasselt, Belgium, 2001<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/012.jpg\" rel=\"lightbox[group-2]\" title=\"Midivisi, PCBK Begijnhof, Hasselt, Belgium, 2001\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/012-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">Midivisi, PCBK Begijnhof, Hasselt, Belgium, 2001<\/span><\/div><\/a><\/div><div class=\"qg-img\" data-defwidth=\"337\"><a href=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/aguas1.jpg\" rel=\"lightbox[group-2]\" title=\"Retrospective Bosch &amp; Simons, Espace Louis Pommier, La Tour du Pin (Is\u00e8re), France, 2009\" ><img decoding=\"async\" src=\"https:\/\/www.boschsimons.com\/wp-content\/uploads\/2011\/08\/aguas1-337x200.jpg\" \/><div class=\"qg-overlay\"><span class=\"icon-circle\"><span class=\"pg-icon lightbox-icon\"><\/span><\/span><span class=\"qg-title\">Retrospective Bosch & Simons, Espace Louis Pommier, La Tour du Pin (Is\u00e8re), France, 2009<\/span><\/div><\/a><\/div><div class=\"clear\"><\/div><\/div>\n<p>&nbsp;<\/p>\n<p>Voor de ISEA 2002 te Nagoya, Japan ontwikkelden wij een nieuwe opstelling met twee simultane geluid-en-beeld projecties. E\u00e9n projectie is vergelijkbaar met de versie van Hasselt, de andere toont stills, live gekozen uit het oorspronkelijke beeldmateriaal, zo een anders niet waarneembare wereld zichtbaar makend. Ook deze beeldtransformatie wordt begeleid door het live geproduceerde geluid, hier echter bewerkt tot een soort \u201caudio-still\u201d. Deze relatief statische tweede laag werkt als een verstillend contrapunt ten opzichte van het energieke en hypnotiserende effect van de andere projectie. In de zomer van 2003 werd Aguas Vivas getoond op de tentoonstelling \u201cDel Mono Azul al Cuello Blanco\u201d in de Lonja del Pescado te Alicante, Spanje. Hier voegden wij een cirkel toe aan het kruis van neonlicht. Dit verrijkt niet alleen de optredende lichtpatronen, ook de psychologische lading van het werk neemt toe door de associaties die het oproept met de overbekende beelden uit hedendaagse kruistochten van geraakte doelen (Irak, 2003), of met het aftellen aan het begin van een film. In november 2003 ontving deze versie een eervolle vermelding in het concours VIDA 6.0., Madrid.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"video-wrap\"><iframe title=\"Aguas Vivas, Bosch &amp; Simons, Tenerife, 2007\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/I-oi-2Ksbmk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n\n<p>&nbsp;<\/p>\n<p>In 2007 werd het werk getoond op de tentoonstelling &#8220;El Medio es la Comunicaci\u00f3n&#8221; in Espacio El Tanque, Sta Cruz de Tenerife, Spanje. Hier kozen we wederom voor slechts \u00e9\u00e9n live projectie, wat ruimschoots werd gecompenseerd door het formaat van de projectie (4,5 x 3,5m) en de indrukwekkende acoustiek van de ruimte, een lege olie-opslagtank met een diameter van 50 m.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\nMet dank aan G\u00fcnter Geiger voor zijn bijdrage in de software.<\/p>","protected":false},"excerpt":{"rendered":"<p>Ook Aguas Vivas heeft als startpunt trillingen, maar is, althans in mechanisch opzicht, eenvoudiger dan ooit. E\u00e9n stalen bak, gevuld [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-167","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aguas Vivas (1996 \/ 2001-2007) - bosch &amp; simons<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.boschsimons.com\/aguas-vivas\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aguas Vivas (1996 \/ 2001-2007) - bosch &amp; simons\" \/>\n<meta property=\"og:description\" content=\"Ook Aguas Vivas heeft als startpunt trillingen, maar is, althans in mechanisch opzicht, eenvoudiger dan ooit. 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