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INVERSIA FESTIVAL, MURMANSK, RUSSIA, 2022
MIGRATONES (2022)
Latex membranes that vibrate according statistical data are combined with field recordings by Sergey Kostyrko
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vang III, CentroCentro, Madrid, Spain, 2019
ACUÁTICA (2019-20)
Acuática is a new project in which we capture and mix the sound of air bubbles in carboys filled with water, premiered in CentroCentro, Madrid, October 2019.
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Wadden Tide, Blåvandshuk, Denmark, 2019
SPRINGTIDE (2019)
A work, powered by the wind that blows six metal plates which hit long metal springs in an extremely unpredictable way.
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Kunstmuseum Moritzburg, Halle (Saale), Germany, 2019
ARRHYTHMIA (2019)
Sounding Industrial vibrators, placed in animal cages, become a relic of what once was a living creature, creating an audio-visual metaphor of a biomechanical machine.
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Callejón del Ruido, Universidad de Guanajuato, Mexico, 2019
ÚLTIMO INTENTO MINERO (2019)
Último Intento Minero is just the start of a new series in which we transform the properties and history of objects that are characteristic of a city or country into sound and image.
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justMAD Art Fair, Madrid, 2017
Último Esfuerzo Rural III (2017)
Once brought into resonance antiquated rural objects recover their forgotten value by producing mysterious, hypnotic sounds.
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Último Esfuerzo Industrial II, Chelva, 2014
Último Esfuerzo Industrial (2012-2016)
Último Esfuerzo Industrial consists of four electric motors, four frequency controllers, four contact microphones and four bass guitar amps. The piece evokes aesthetics and dreams of the futurist movement of an age ago.
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Mirlitones, ICMC / Totally Huge New Music Festival, Perth, 2013
Mirlitones (2012-2016)
Mirlitones was commissioned by DordtYart, Dordrecht in 2012. A new, improved version was shown at Kidogo, Fremantle during the ICMC / Totally Huge New Music Festival, Perth, 2013.
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Wilberforces, "Winter Sparks", FACT, Liverpool, 2012-2013
Wilberforces (2012-2013)
Wilberforces is a new work within our long series of vibratory projects. The title refers directly to a phenomenon from science, the Wilberforce Pendulum. This pendulum is nothing more than a hung metal spring with below it a central weight plus eccentric weights for calibration.
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Chelva, 2010. Picture: Andrea Onetti
Chutes Libres de Printemps (2010-2011)
Chutes Libres de Printemps is a project by Le 8 renversé and Bosch & Simons, an adventure around the relationship between man and machine, experienced by two dancers, a contrabass player and the music machine Bang Spring Time.
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Forja, Valencia, 2009
Bang Spring Time (2009-2011)
Bang Spring Time emerged from a long history of vibrating works with metal springs. It is a long piece, both audibly and visually, a work that needs time to develop and to occupy the space.
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Works at La Tour du Pin, France, 2009
Retrospective
Bosch & Simons (2009)A retrospective of our work from 1990 until 2008 was held in Espace Louis Pommier, La Tour du Pin (Isère), France From September 19 until November 29, 2009.
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KLANKENBOS, Musica, Neerpelt, 2014 (new boxes)
Springtime in a Small Town (2006)
The boxes and metal springs abandoned the closed space and inhabit a romantic wood in Belgium, acquiring an almost meditative charge.
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Último Esfuerzo Rural II, ENSEMS, La Nau, Valencia, 2004
Último Esfuerzo Rural II (2004-2008)
This work consists of giant “zambombas” (lions roars), made of ancient wine barrels, played by pneumatic cylinders, that produce extremely low sounds.
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Re:New, Huset i Magstraede, Copenhagen, 2008
Último Esfuerzo Rural I (2004-2008)
Último Esfuerzo Rural I consists of pitchforks which scratch on glass of windows to be enjoyed inside and outside of the space. A symphony of coarse and shrill sounds.
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"White Noise", ACMI, Melbourne, Australia, 2005
Aguas Vivas (1996 / 2001-2007)
Oil is sent into vibration and the surface starts to undulate. Light reflected onto the surface of the oil is fragmented. The results are captured with a video camera and projected in real-time.
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Retrospective Bosch & Simons, La Tour du Pin, 2009
Cantan un Huevo (2000-2001)
Cantan un Huevo consists of from five of up to fifteen independent vibration units, each with a behaviour as complex as a complete Krachtgever. Hundreds of metal springs, originally tied together to serve as a mattress, form an extremely complex surface when put into movement.
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ICMC, Hong Kong University, 1996
A Castle for Kobe (1996-1999)
A small monument in the spirit of Japan. Not something heavy and monumental, meant for eternity, but something fleeting, portable, lightweight.
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"Kunst Werkt", Dordtyart, Dordrecht, 2012
Krachtgever (1994-1998)
Probably our best-known piece for its Golden Nica, received in 1998 at the Prix Ars Electronica, Linz.
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Retrospective Bosch & Simons, La Tour du Pin, 2009
Vooruitgang (1994) and Trajectversterker (1993)
The vibrations generated in the Trajectversterker and Vooruitgang are able to transport objects over a distance on a track constructed out of a number of wooden elements.
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TARt’91, Universiteit Twente, Enschede
Electric Swaying Orchestra (1991-1992)
Parametrically-driven pendulums lead to situations that are impossible to control entirely, producing an ever changing music.
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Retrospective Bosch & Simons, La Tour du Pin, 2009
Was der Wind zum Klingen bringt (1989-1990 / 2003)
An apparently unpredictable sequence of timbres, harmonies and dynamics are combined to create the illusion of a living object.
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